Free State of Jones is genuinely bold filmmaking that refuses to romanticize the violence and terrorism of war and its aftermath.
Americans really love their Civil War. In the popular imagination, the Civil War is the nation’s trial by fire; that utterly necessary event that determined if a house divided against itself could rise from the ashes and prove to the world that a nation “of the people, by the people, for the people” could survive.
Yet beneath the mythology of reconciliation is the reality of a war that endured long after the armies laid down their guns. Strip away the mythology and you’re left with what historian Eric Foner calls America’s “Unfinished Revolution,” a revolution defined by violence, terrorism, and a string of broken promises that stifled the march of equality for generations. This “Unfinished Revolution” was Reconstruction, and the film Free State of Jones depicts Reconstruction’s brutal reality better than any previous popular treatment.
Jane and Bob Bergdahl, parents of freed U.S. soldier Bowe Bergdahl, hold a press conference with President Barack Obama. Conservatives, of course, complained about it.
On May 31, 2014, U.S. president (and secret Muslim-communist-fascist-anti-colonialist-dentist) Barack Obama announced that he’d negotiated for the release of Sargeant Bowe Bergdahl, America’s last known POW, in exchange for five Guantanamo Bay prisoners. Since at least July of 2009, Bergdahl had been held captive by the Taliban, Afghanistan’s premier Muslim religious nutball cult, and the president’s actions ignited hope for the beginning of the end of the thirteen-year-long U.S. military operation in Afghanistan, which now ranks as America’s longest-running war.