Norman Rockwell’s Freedom from Fear (1943). This depiction of American kids getting safely tucked in at night while England experienced The Blitz had a clear message: Americans should, above all else, be free from fear.
Be afraid, America, be very afraid. It’s a dangerous world out there, with a never-ending series of threats laying siege to the republic from every possible angle, each of them exposing the quivering globule of disquietude that is modern society.
If Americans have wanted nothing else over the span of their history, they’ve wanted freedom from fear, but they never seem to get it. With each passing era, new fears arise in the form of internal and external threats that shake American society to its foundations. Sometimes these fears have been real and justified; other times they’ve been born of prejudice and paranoia, but the results have always struck terror into the American collective psyche. Indeed, it’s no stretch to say that U.S. history has been one long age of anxiety.
Poster advertising a “Save the Union” meeting, Frederick, Maryland, September, 1860.
The situation was unprecedented in scope. The conservative party in America, its hardcore base mostly relegated to the South, had just suffered a devastating electoral defeat in which a lawyer and political progressive from Illinois won the U.S. presidency along mostly sectional lines, carrying primarily northern and west coast states. In response to the stinging rebuke of their policies by the majority of the American people, the conservative party decided that rather than accept the outcome of the presidential election, they would instead try to prevent the victorious party from governing by denying their very political legitimacy. In so doing, the conservative party in America waged war against democracy itself.
Civil War-era cartoon depicting Copperheads as venomous snakes attacking liberty herself.
I initially wanted to avoid writing what might very well turn into yet another hackneyed patriotic post on The United States’ most recent and visceral national tragedy. Plus, I like to keep this blog at least partially rooted in the nineteenth century, and what do the September 11, 2011 terrorist attacks have to do with that era? Well, there actually is a connection. The more I thought about it, the more I realized that 9/11 actually connects to some deep-seated and long-lasting American ambiguities about the use of violence and the wisdom of war.