“12 Years a Slave,” the “American Spectator,” and the Historical Legacy of Paternalism

A scene from Steve McQueen's Oscar-winning film, 12 Years a Slave, which reminds that slaves were proprty no matter how they were treated, and that was truly awful.

A scene from Steve McQueen’s Oscar-winning film, 12 Years a Slave, which reminds us that slaves were property no matter how they were treated.

In the year 2014, most people would agree that slavery was — and is — a very, very bad thing. In an American context especially, slavery and its proponents flouted supposedly sacrosanct ideals such as freedom, equality, and liberty – you know, the really important stuff. Moreover, the “peculiar institution” caused unmeasurable human misery and left a cultural scar on U.S. society that still hasn’t fully healed. So if historians’ work hasn’t been in vain — and I think it hasn’t — then most of us will have long been informed about the nature of slavery and why it was (one of) the greatest atrocities ever committed by the United States.

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