Trumpism and a Certain Kind of Masculinity

The majority of Trump supporters are old, white, male, and pissed off about stuff.

The majority of Trump supporters are old, white, male, and pissed off about stuff.

If you were masochistic enough to watch the third presidential debate of 2016 between Democratic nominee Hillary Rodham Clinton and Republican nominee the pissed-off Great Pumpkin, one line in particular ought to have stood out amidst what was otherwise the rhetorical equivalent of scraping the floor of a dive bar with an old bottle cap. “Such a nasty woman,” the Trumpkin muttered in the debate’s closing moments. He was, of course, referring to the first major-party female presidential candidate in American history, and the line quickly became an internet feminist rallying cry; an embodiment of the typhoon of chauvinistic misogyny that has characterized the Trump phenomenon from the moment its spray-tanned gargoyle of a leader announced his pursuit for the nation’s heretofore most respected office.

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The Reactionary, Materialistic World of Rudolph the Red-Nosed Reindeer: A Holiday Satire

Rankin Bass's curiously cruel yet relentlessly classic take on Rudolph the Red-Nosed Reindeer.

Rankin/Bass studios created a curiously materialistic, yet relentlessly classic take on Rudolph the Red-Nosed Reindeer.

Not long after the television established itself as a common sight in American homes in the 1960s, the annual Christmas special became a seasonal staple of manufactured yule-tide cheer. Faced with the prospect of spending unwanted time with unwanted relatives, Americans found that they could bear the unbearable December reunions by gathering around the glowing cube of faux-escapism and enduring the company of kith and kin while drowning in the cheerful seasonal bliss embodied in what we now consider cherished holiday tv classics. Classics such as the beloved stop-motion chestnut, Rudolph the Red-Nosed Reindeer.

Produced by Rankin/Bass productions, Rudolph the Red-Nosed Reindeer first aired on December 6, 1964, and in the 51 years since this original airing, it’s become a well-established part of many viewers’ Christmas traditions. The special eventually became a cultural icon, but there’s equal parts darkness and light in this seemingly charming holiday tale. While Rudolph is undoubtedly an enduring tv classic, it’s also a disturbing showcase of isolationism, unrestricted capitalism, patriarchy, sexism, and stifling conformity overcome not by the gifts of uncompromised individuality, but by the cajoled assimilation of thoughtless materialism. Continue Reading

Why Americans Really, Really, REALLY Love Football

Football fans, even those dedictaed to the lowley Cleveland Browns, bring sports enthusiasm to bizzarre new levels.

Football fans, even those dedicated to the lowly Cleveland Browns, bring sports enthusiasm to bizarre new levels.

Football is the most red-blooded, über-masculine, überAmerican thing on planet earth. That’s right: FOOTBALL. No, I’m not talking about that ridiculous spectacle in which namby-pamby, ethnically ambiguous European men in short shorts traverse across a sprawling, artificially constructed field trying to catapult a checkered spherule into a large trawling net without using their hands as millions of highly inebriated spectators look on from tax-payer-subsidized coliseum stands. Americans have a word for that: it’s called soccer, and we use it to keep our 2.5 suburban children occupied after school on weekdays.

No, the football I’m talking about puts those European pantywaists to shame. REAL football — AMERICAN football — is a completely non-ridiculous, unquestionably heterosexual sporting spectacle in which gargantuan men in tight pants traverse across a sprawling, artificially constructed field while trying to tackle each other with the ultimate goal of carrying a prolate spheroid far enough to win the right to kneel down and praise their sky-dwelling prime mover — all as millions of highly inebriated spectators look on from tax-payer-subsidized coliseum stands. Continue Reading